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How To Jam
The Big Lesson
Make Music! How To Jam

If You've Got That Rhythm

If you can't help tapping rhythms on the table, if you've got music running in your mind, or if you whistle -- not the tune, but the harmonies behind it, then you can jam. You've got a natural ability. This talent is a gift. It's something special -- not something everyone can do.

Jamming is an exciting word for an exciting kind of music -- spontaneous, sudden music, made without a written score, and beyond what's written down. The word comes from African American jazz and all its history and traditions. But improvisation, another word for jamming, is not exclusive to jazz. European classical composers, such as J.S. Bach, Vivaldi, and Mozart, composed their works on top of improvised foundations. Jamming also may be found flamenco, blues, and other music throughout the world.

Jamming requires special understanding. A session starts with a familiar tune or theme. When the mood warms up and the musicians feel inspired, each one takes a solo as the tune is passed around. Each plays off the theme, departing and returning, adding their unique and personal style to the melody and rhythm.

Jamming is the secret language of musicians. It is rarely understood or appreciated by the non-musical world. In a very intense session, each musician is inspired to give everything they have. The music that evolves, erupts, and emerges is only for the moment -- it will never be heard in just that way again. Few artistic forms allow this kind of collaboration. That's why an exalted jam session is a rare thing indeed. It can be magical, intensely emotional and rewarding for the players, as well as the lucky witnesses.

Read about others' experiences learning to jam and improvise on Luzern Jazz Institute's "Picking Notes out of Thin Air."

Get Started

One way to start jamming is to learn a tune, like George Gershwin's "Summertime." (Don't' laugh. Miles Davis and John Coltrane both helped to make this show tune immortal.) Then add your ideas to the melody in the same key changes. Jazz, blues, and rock songs rarely use more than three key changes, or "progressions" are often very similar, or the same.

C major Blues & Rock: C / F / G (1-4-5 progression)
C major Jazz: D / G / C (2-5-1 progression)
C major Classical: C / E / F (1-3-4 progression)

Try playing in a major 7th, minor, or minor 7th scale during the key progression of the song. During this experimental stage, it's important not to worry about whether it sounds good or makes sense. Play it faster, then slow. Try a Latin beat, and then a waltz or blues shuffle. The idea is to experiment freely with the elements of music and explore all its tonal qualities, textures, and moods.


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Page updated: October 20, 2003
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